Wight of the Nine Worlds

welcome

I welcome thee free spirit, which thou shalt come with an open heart, open mind and an open soul, for what you are about to read can only be understood by the wise who are eager to learn and to embrace the roots deep and forgotten in the hearts of the free people of Europe, by accepting who you are and where your roots lie, is half way into the great road of life. We will journey unto where our spirit takes us with the knowledge we gained. Learn and teach.
Showing posts with label About Shamanism. Show all posts
Showing posts with label About Shamanism. Show all posts

What is Animism?



I know I've abandoned this blog some time ago, but most of you are now with me at my Youtube Channel, or continued to support me on the Patreon platform. Even so, if any one still comes here, or by chance comes across this blog seeking something concerning paganism, and you don't yet know about my work, I leave this video here because I think it might contain useful information for those stepping into paganism and want to understand the essence of it, the way of thinking.



I think this video contains some useful information to understand the basics of paganism. It seems to me, nowadays, most neo-pagan movements and neo-pagan thinking is simply an extent of monotheistic world-denying views; there's still the tendency to follow the same line of thought. Neo-paganism in great part seems like a "paganization" of Near-Eastern monotheisms - worshiping the gods as if they were our personal servents and we make demands from, and there is still a great spiritual detachment from our reality and people still seek a spiritual-realm elsews.ewhere, as I often hear: "Middle-Earth is not for me! Valhalla awaits me!". I think by understanding Animism we can better grasp part of the pagan consciousness, and it is a way to start gaining world-accepting views.


Werewolves in Norse Mythology



You can watch the video about this subject in here: [Werewolves in Norse Mythology]


There is this idea that werewolves are exclusively from eastern Europe, but I’ve collected a lot of tales about werewolves from places I wouldn’t even imagine that such tales were part of the local folklore. But then again, it’s not surprising, because at some point in prehistoric times, our ancestors’ spiritual practices were very much connected to animal totems, the power of animals. As I’ve said before, in Europe, the animals connected to royalty, courage, the warrior spirit and such, were the bear and the boar. These two animals were the most representative creatures of every European culture. And then there was the wolf. The wolf was something else entirely. 
Beyond the borders of the villages and the boundaries of our familiar world, there lies vast, wild and solitary landscapes. When night comes, those places become a scenery of dark and gloomy shadows. In the deep forests the famished wolves roam and hunt, howling in the cold winter nights. Howling at the moonless sky. Their eyes glitter in the dark as if they burned with a foul fire. 
The human being has always feared the unknown, and in ancient times, these landscapes beyond their villages, were terrible places of both mystery and death, few were those who dared to venture into those places, so such places became the scenery of many fantastic tales and the wolves became a symbol of terror and power. These animals were considered to be the wildest beings on earth, always searching for the kill, so it is perfectly natural that these natural facts led to so many folktales about werewolves and other mythical creatures. 

Now, let’s focus on werewolves for Northern Europe. We have many mythological accounts about werewolves in ancient Scandinavia. Let's start with one of the most famous tales. The tale of two men, Sigmund and Sinfjötli, who one day find a house in the middle of the woods with men under a sleeping spell. These men had enchanted wolf-skins. Sigmund and Sinfjötli steal their wolf skins and put them on. The moment they do this, they transform themselves into wolves and can even understand the wolf language. Then, after a few adventures and killing other men, things go wrong and one wounds the other, apparently a mortal wound. But things turn out for the best and the two men survive and take off the wolf-skins and destroy them. 
First of all, these two men were in the woods because they were outlaws and lived from robbery and other activities against the law. They were outlaws. In ancient Scandinavian societies, the outlaws, murderers, defilers of temples and thieves, were given the name of Vargr - they were the Vargar - which means wolves. Such people weren't killed by their actions or arrested, they had a worse fate. They were expelled from the community or the tribe and were left in the wild landscapes, as an animal who now needed to survive alone or in a group of people in equal circumstances, just as wolves do. Everyone could kill them, hunt them on sight, with no penalty nor punishment, because the Vargar were animals now. No one considered them as humans; they were mere beasts. 
Another aspect, they came upon other men in a remote area, in the wilds, away from civilisation, who possessed enchanted wolf-skins. Now, we might be in the presence of individuals who are also outlaws, and as such, they are Vargar, or we are in the presence of shamans. Shamans also lived outside the communities, far away in the wilds. But they didn’t live as beasts. They had their own dwellings and most survived because of the offerings the community gave to them in exchange for their power, their assistance in a variety of fields, from healing, to divination, and so on. In the history of shamanism we see many parallels with this aspect. Shamans living outside the communities, being both feared and revered; no one wants them close, but at the same time they need them. There are other tales similar to this one in the northern European countries. In Finland for instance, there are tales about men stumbling upon other men under a sleeping spell. Men with great spiritual power and can even turn into animals, mostly wolves. 
So the two men stole these enchanted wolf-skins and turned into wolves. They either accepted their condition as outlaws, or precisely due to the fact that they lived in the wilds, they encountered a spiritual path, they had contact with a shamanic perspective of life. To our ancestors, spiritual power came from the wilds, away from civilization, going out these to seek knowledge and power. We see this in shamanism, isolation as a shamanic technique to induce trace. The boundary between civilization and the wilds is a parallel to the boundary between sanity and madness, and it’s precisely with that balanced state that shamans do what they do. 
There were also tribes of shaman warriors, which could take the form of wolves in their trance journeys, and they acted like wolves, these shamanic mysteries were preserved as hereditary traditions among some families. These shamans at their initiation rites to become wolf-warriors, would go into the swamps, the most dangerous and wild places of the world, and left their clothes behind, symbolically this is the abandonment of the human form and the identity as a member of a community. These people would live their lives out of the civilized world and learning from the wilds. These people were called wolfmen or werewolves. 

There are other accounts of werewolves in the Norse tradition, such as Ulf Bjalfason, a character in the Egil’s Saga. As soon as night approached, his mood would darken and he had to get away from everyone and being isolated. People started to be suspicious and began to wonder that he might be one of those who changes his skin. People started to call him Kveld Ulf (night’s wolf), cool nickname. We can see in here the similarities with the previous account. Isolation and to become a skin-changer. 

I’m sure you were already thinking about this. Obviously, in Norse mythology, we have the Great wolf Fenrir, son of Loki. Fenrir will kill Odin during the events of Ragnarök. Eventually I shall speak about Fenrir in another time. But Fenrir symbolises the wilds, power, chaos, the other side of things that oppose order, but must exist to create a balance. The wild side of nature, its cruelty and destructive power. As we have seen before, people sought knowledge in the wilds, spiritual knowledge, the knowledge that can only come from the dead, from what is chaotic, untameable, and people have always had this need to try to tame the untameable in order to survive. It’s interesting to see that Fenrir will kill Odin. Odin being the personification of wisdom and power, but Fenrir is also power, the other side of power, the wild power. Two opposites against each other and it’s the wild power that will eventually succeed but ultimately be consumed and fail. Just as we have seen with Sigmund and Sinfjötli, they enjoyed their time being wolves, but could not control the power and the wild side took control of them and one ended up killing the other, 
but taking their wolf-skins off, they became men again - civilized. Fenrir might be the remnants of a prehistoric tale about those who are skin-changers that take the form of wolves and live their lives according to their wolf-totem. Every tale has a moral, and this one would probably be that seeking power is healthy and wise, but be careful to not let yourself be consumed by such power and let it control you. Fenrir also has two sons: Sköll and Hati. One chases the sun and the other chases the moon, every day, like a shadow. Darkness seeking to overcome balance and nature itself. We have the same principle as with Fenrir. 

We know of two other wolves. Geri and Freki, the wolves of Odin himself. There is a great possibility that these two wolves are not just pets, two animals akin to dogs and Odin just likes to have them near, pet them and feed them his food under the table. It’s possible that Geri and Freki represent skin-changers, and that in fact these are two people. Maybe Odin’s own bodyguards, or two chosen warriors of his utmost confidence; the best of the best, the perfect loyal soldiers. There are many archaeological finds depicting figures wearing wolf-pelts.  
In Scandinavian societies, the tales of wolves went further than the mythological tales, there was the existence of the elite warriors called Úlfhéðnar (Ulfhednar) people who went to war dressed with the skins of wolves, and were also warriors with immense strength, who sometimes fought naked, without showing that they were uncomfortable with the cold weather, or the landscape itself, adapting perfectly to the harsh environment just like wolves. These warriors went to battle in some kind of a trance and did not have the need for weapons, they could kill with their bare hands or bite just as a wolf does. In fact, that is what they were, people with the shapes of wolves, who thought that they were wolves themselves and acted like the creatures. There is a great possibility that before battle, they consumed some kind of hallucinogenic, entering in a trance-like state, psychologically they could feel the difference. It's just like if someone asks you to lift a table, and you don’t have the strength or the strength fails you and it's hard, but when you are angry, you gain strength and you can lift and throw the table with no problem. People sometimes go beyond the limitations they think they have, when they are physically and psychologically affected, when people are pushed into certain situations, the need to survive comes to the surface and the wild and savage feelings hidden within us appear, almost feral. Of course these accounts may be exaggeration, but the fact is, we find representations in archaeological excavations, so people probably believed in this and these warriors were actually part of a cult which involved hallucinogenic-drugs and pushing people to their limits, inducing rage, anger, inducing a state of uncontrollable mindless violence – being feral. These people were represented as wolves, from a cult which goes far back before recorded history. To the prehistoric shamanistic communities of wolf-men, or werewolves. 

Yggdrasil the Axis Mundi



You can watch the video about this subject in here: Yggdrasil the Axis Mundi


It was common in ancient civilizations the belief in an axis mundi, a central point around which the world existed, a connection between the heavens and the earth, the source of all life and also a connection between different reality planes. The very thing connecting the realms of the divine; the sky, the earth and the infernal. Infernal not in a Christian sense, related to Hell, because pre-Christian or pre-Abrahamic religions had not the concept of an infernal realm for punishment; infernal rather in a sense of an inferior realm, underworld, just like the world above is called supernal (celestial).  

To the Scandinavians and other Germanic peoples, this axis mundi was Yggdrasil, the world tree. Now, we have to take in mind, that the oldest documentations we have about Yggdrasil, are from the X century, and we have to be careful with this, because this was already a period in northern Europe when paganism was coming to an end, and since the IX century Christianity was already a force to be reckoned with in the north. And such polytheistic accounts were registered by Christians who perhaps had lost the true meaning of the pagan folklore, because they wrote such accounts many years after the conversion of the countries, and also, the Norse beliefs at this time had already a lot of influence from the new religion - Christianity. 

Speaking of this, let's take a closer look into two of the most important sources to understand Norse mythology - The Poetic Edda and the Prose Edda - which date from the XIII century. The Poetic Edda is a combination of poems that date far back before the coming of Christianity, but from oral tradition, and there's no telling how much these poems have changed with time. The Poetic Edda is the medieval version of such accounts. And the Prose Edda, written by Snorri Sturluson, is a manual of Skaldic poetry using periphrases or metaphors of mythological references. Snorri Sturluson turned to folklore, to poems contained in the Poetic Edda and other poems which survived in oral tradition to create this work. This work by Snorri Surluson is a synthesized and simplified view of the Norse mythology, in contradiction with other sources and influenced by Christianity since Christianity was the official religion in Iceland in Snorri Sturluson's time for two hundred years already. But about these sources I think it’s best to write another article, so let’s go back to the subject. 

We shall stick with the version we know from Yggdrasil, being the world tree. The term “Yggdrasil” comes from two elements: Yggr, which is one of the names for the god Odin, meaning “terrible” as in Odin being The Terrible/The Fearful/The Dreadful. And the term drasill, which refers to “the one who walks” something, “the one who rides” something, and it's also a poetic term for a mount, a horse. So, as you might rightfully guess, Yggdrasil is Odin's mount, vehicle, or horse. Meaning that this deity used the World Tree to travel between worlds; he uses this cosmic axis to journey into different worlds. But the term drasill can also be connected with the gallows, or hanging as a form of execution, which was compared, for some reason, with the horse. For example the XI century poem Háleygjatal, from Eyvindr Finnson, which refers to Sigarr's horse (a legendary Scandinavian king) as also being his gallows. This gives us the connection of Yggdrasil being the very thing Odin used to hang himself, kill himself, in order to be able to free himself to pursue the knowledge he so deeply wished for. We can see in here an old shamanic tradition of freeing the spirit from the body to reach the world of the spirits and gain knowledge, and communicate with the spirits and gods. 
There might be another possible explanation for the name “Yggdrasil”. It’s also referred as askr Yggdrasil, or “The ash-tree Yggdrasil”, meaning that Yggdrasil is an ash-tree, which might mean that this was the tree where Odin strapped his horse or where Odin tied a rope to hang himself. Well, after all, poets play with multiple meanings and what might seem to us a tree, it might be a metaphor for something else.  

This interpretation leads us again to a shamanic comprehension in how to reach the world of the spirits, through a symbolic but painful death, perhaps a ceremony around a great pillar, symbolizing the centre of the world, and maybe that pillar being made from the trunk of an ashtree, being a tree with magical properties and with a symbolical meaning to our ancestors that go far back since they began to have their first spiritual thoughts. Charlemagne, for instance, in the VIII century destroyed the great symbol of the Saxon faith. It was called Irminsul, and we still don’t know if it was a tree, or a great pillar, or some sort of idol. It was something big and vertical, possibly the remnant of this tradition of an axis mundi. So maybe Irminsul for the Saxons might have been what Yggdrasil was to the Scandinavians, “a great pillar”, a symbol of their faith and the connection between all living things from our world and the world of the spirits. The remnants of a spiritual shamanic tradition. 

This world tree isn't just the symbol of the shamanic techniques used to reach the world of the spirits, or a symbol of the very connection between worlds. Yggdrasil is also the symbol of that which gives life. In the poem Grímnismál, deer eat from the foliage of Yggdrasil, a great eagle lives on top of it, on the very bottom Nídhöggr gnaws upon its roots and that's where snakes also live, and a squirrel named Ratatoskr goes up and down the tree delivering messages between the eagle and the great serpent. This shows the amount of life a tree can give, it is the home of living creatures of the forest, a shelter and also the source of food.  

Another point, is that in the poem Voluspá, it is said that Yggdrasil is an evergreen tree, which is odd because the ash-tree is a kind of deciduous tree. But the Norns water the tree from the well Urðarbrunnr, supposedly magical waters that also give life, it's the Well of Destiny and it keeps Yggdrasil healthy and evergreen. And finally, as it is written in the poem Gylfaginning, three gods created the first humans from the bark of trees, one of those humans was a man named Ask, which means Ash-tree, making the ash-tree once again the source and creation of life, invoking the beliefs passed on by oral tradition, from a past far beyond memory, when our ancestors were much more attached to the natural world than we are today, unfortunately. But they already understood the importance of nature as the source of all life and as a means of communication with the spiritual and the divine. 

Ritual Spear found in Poland


A ritual spear dating back 9,000 years - made of wood and decorated with engraved ornament - has been discovered by archaeologists in Bolków near lake Świdwie (West Pomerania). The spear is an unusual artefact. The unique aspect of the find is the rich decoration on its outer, slightly convex side: interwoven geometric and zoomorphic patterns. The construction of the spear, and above all the presence of ornamentation indicates that it was a ritual object associated with the beliefs of the Mesolithic peoples inhabiting the lakeside settlements and hunting camps.

Communities living in the Mesolithic period often adorned items they used. In Europe there are known carvings made on various objects made of antlers and animal bones, wood, and rarely also on objects made of amber, flint and on stone pebbles. They represent the wealth of stylised depictions of forest animals, birds, fish and plants, as well as human figures.

The carvings on the spear showed the presence of different combinations of geometrical patterns in the form of single and grouped triangles, zigzags, herringbone, horizontal and vertical short notches and the dominant theme of short perpendicular incisions, arranged along the lines. Also visible are depictions of stylised human and animal figures. The analysis shows that central place in the image formed by the carvings has a ritual scene with three human figures. One of them is wearing a characteristic mask, made of widely branched antlers. "It certainly symbolizes a shaman - a spiritual guide of the community. The second figure is shown without clothes - drawn with a single thick line. Its position suggests performing a ritual dance. Hands are raised upwards. The third figure is presented in a long robe and carrying a bundle, possibly an offering. The scene takes place on the shores of a lake, by two boats. On the opposite side, in the background, there is an encampment composed of at least four shelters, presented in the form of several adjoining slender triangles.

The spear was discovered during excavations in the vicinity of previously studied shamanic sanctuary from the early Mesolithic. According to archaeologists about 9,000 years ago mysterious rituals were performed in this place. Archaeologists have been studying traces of these enigmatic activities since 2012. During that time they discovered, among other things, a meteorite located inside one of the huts, a wooden censer used during rituals, an unusually shaped stick, and even an object is made of birch bark, which is described as a fragment of a ritual mask.

New Shaman Sanctuary Discovered in Europe


Archaeological findings related to shamanism aren't very common to find in European ground. It's easier to come by such findings in the most inhospitable regions where shamanic practices lasted several thousands of years till or modern era, and in some places these spiritual traditional practices are still alive. When it comes to Europe, with major historical changes not only in society but also in the landscape, history itself and religion, the shamanic practices were long forgotten and the place where once shamans worked, were brought down and completly destroyed.

However, archaeologists uncovered an unusual site near Lake Świdwie, in north-western Poland, and this might be one of the major European findings related to the shamanic pratices of the old European peoples. After analyzing the settlement, the team of researchers concluded that it dated back to 9,000 years ago.

One of the most notable findings in this area consisted in a circular design of approximatly 6 meters in diameter where the foundation of strange structures was still visible. A trapezoid building with poles, encircled by an arch of rocks aligned at equal distances from each other. Within this ancient design, sharpen yew sticks were piercing through the ground so that they formed the shape of the Big Dipper – a fragment of the constellation Ursa Major, also known as The Great Bear.

Other enigmatic pieces of wood used in smoking rituals, bark, herbaceous plants and animal bones presumably used as offerings and for driving off evil spirits before a ritual were also unearthed at the site.

A rich collection of different stones with, supposadly, supra-natural properties were also found inside the sanctuary. Among them were syenite, diorite, granite, quartzite, sandstone, gneiss, and even unusual rocks for the Pomerania area such as red marble and green syenite. However, the discovery of black amber and pumice – an extrusive volcanic rock obtained when molten lava is spit out of a volcano – topped off the charts of the discovery list.

The site furtherly proved to be rich in items mostly made of wood such as pendants and wood masks used in the mystic rituals. Thanks to the favorable conditions of the area, all the unearthed pieces were preserved in perfect shape.

As I've said before, this discovery is unique, as other shamanic settlements closer to Europe were only found in Siberia and Mongolia. Apparently this settlement served as a sanctuary from where the spirit-workers engaged into rituals and out-of-body experiences, through trance, frenetic dancing, induced substances and so on.

This discovery adds another dimension to our written history because it proves that shamans once ruled the plains of Europe before Christianity and other religions rushed in and wiped these timeworn culture. It also demonstrates that ancient Europeans had knowledgeable advisors who could read the stars, use advanced remedies from nature, and who knows what other ancient techniques that are now forever lost.

9,000-Year-Old Shaman Sanctuary in Europe


There was a recent discovery in Europe of a 9,000-year-old shamanic sanctuary which shows that there was once a culture very knowledgeable in spiritual working. There are thousands of evidences of shamanism in many places all arround the world, but in European ground ancient shamanism is still a very delicate subject. There are not many findings of shamanism in Europe, and that's why this recent discovery might bring a new light to the knowledge we have about shamanic practices by our European ancestors.

One of the major society figures of the ancient cultures was the shaman, or the person who held the power and the knowledge to communicate with the spiritual world. According to ancient accounts, the practitioners of shamanism helped shape the first human societies. They were both wise and feared by the communities of the ancient world. The role of the shaman was not only being able to commune with the spirits of the land, ancestors, deities and the spirits of the afterlife, but also able to heal both body and soul, curse enemies, cure the land, give good council and basically being the one person everyone went to for all sorts of things. The guide of the community.

This all thing seems something out of a fairy tale; complete fantasy to our modern mind. However, with the help of the human sciences such as Anthropology and Archaeology, we modern humans are getting closer and closer to understand this very delicate subject. So it seems that these people, these shamans of bygone days, were really capable of preforming these wonderful, amazing and also terrible things. The human mind is quite powerful and maybe we have forgotten how to properly use it in some fields of consciousness. This new discovery came to help us understand all these strange facts.

In the year of 2012, archaeologists uncovered an unusual site near Lake Świdwie, in north-western Poland. After analyzing the settlement the team of researchers concluded that it dated back more than 9,000 years ago. One of the most amazing finds in this area consisted in a circular design of approximately six meters in diameter where the foundation of the structures was still visible. A trapezoid-like building with poles, encircled by an arch of rocks aligned at equal distances from each other. Within this ancient design, yew sticks were piercing through the ground so that they formed the shape of the Big Dipper – a fragment of the constellation Ursa Major, also known as The Great Bear. A construction made by our ancestors some time during the end of the Mesolithic Era and the beginning of the Neolithic revolution (dates differ from place to place and it took a good thousand years to spread all over Europe. These were our ancestors who had just found farming, and had begun to settle down in specific places, constructing the first villages, the first communities, and now they also started to have a keen interest in astronomy.

This discovery is unique, because other shaman settlements were only found in Siberia and Mongolia and never so close to European ground. Apparently this structure served as a sanctuary from where the spirit practitioners engaged into rituals and out-of-body experiences which are obviously out of reach from written history, and very difficult for modern science to explain. Pieces of wood used in smoking rituals, bark, herbaceous plants and animal bones presumably used as offerings and for driving off evil spirits before a ritual were also discovered at the site.

A rich collection of different stones were also found inside the sanctuary. Among them were syenite, diorite, granite, quartzite, sandstone, gneiss, and even unusual rocks for the Pomerania area such as red marble and green syenite. These were not picked at random or to only decorate the sanctuary. Such stones had a purpose closely linked to spiritual working. It was also discovered black amber and pumice – an extrusive volcanic rock obtained when molten lava is spit out of a volcano. This is an extraordinary and rich collection of stones, unique among the previously known Mesolithic sites, located both within the vast European Plain, and in the zone of the foothills and highlands. These stones had to be brought to this place. and not only did they came from the surrounding area, but also from distant lands, the best example of which is hornfels, which occurs closest in the Giant Mountains and the Harz Mountains.

The archaeological site later proved to be very rich in items mostly made of wood such as pendants and wood masks used in mystic rituals. Thanks to the favorable conditions of the area, all the unearthed pieces were very well preserved.

This interesting discovery adds another dimension to our written history due to the fact that it proves that shamans once ruled the plains of Europe before pré-christian beliefs and Christianity itself, of course. It also demonstrates that ancient Europeans had knowledgeable advisors who could read the stars, use advanced remedies from nature, and probably a list of other good many things that have been lost to us.

The Sarmatian Shaman


In 2013, archaeologists found in Kurgan (Russia) what seems to be a Sarmatian burial mound. In the southern Ural steppes this amazing finding shows some peculiar items that may suggest that the individual buried there was a shaman.

A little bit of history is needed to know who the Sarmatians were. Most people though for an age that they were natives to Europe in the region we now call Poland. However, the Sarmatians were Iranian (an Indo-European people such as the Alans/Alani, very caucasian-looking) flourishing from around the 5th century BC to the 4th century AD. The burial mound found in Russia, dates to early in the range, corresponding to the Early Iron Age within the region. The Sarmatians spoke a Scythian language and later their territory corresponded to the western part of greater Scythia (mostly modern Ukraine and Southern Russia nowadays). Around 100 BC, the Sarmatian tribes ranged from the Vistula River to the mouth of the Danube and eastward to the Volga, bordering the shores of the Black and Caspian seas as well as the Caucasus to the south. The Sarmatians traded with the Mediterranean cultures to the west, although, they retained their own customs and traditions, rooted in their nomadic lifestyle.

In the burial mound, in the grave itself to be more precise, 26 golden deer statues have been found, which may have been representations of Gods or spirits to the people that put them there. Further excavations were carried out and a body was revealed. Archaeologists first found a bronze cauldron (of great size) in the entrance passage to the grave, which might have been especially made for the burial. It is definitely in the Sarmatian style as the handles are made from two griffons. Such animals are prominently features in the art of the region and may represent spirit animals since griffons are mythical creatures. 

The grave was richly furnished and, since the remains comprised those typically found with female burials, as well as a quantity of fine jewellery, the burial was concluded to be that of a woman. A small wicker case was found near the skull. It was stuffed with items including a wooden box, leather pouches, glass, horse teeth with red pigments, a cast silver lidded container, bathroom flasks, silver and earthenware and gold pectoral cages. There was also a large silver mirror that lay nearby. It was decorated with gilded stylised animals on the handle, and an embossed decoration on the back. The image of an eagle sat in the centre of the mirror, surrounded by a procession of six winged bulls. Mirrors at this time were very rare and such intense decoration suggests a spiritual use. It is common to link Iron Age mirrors to Shamanism because they were used for such purposes.

Archaeologists also uncovered equipment used for tattooing, including two stone mixing palettes and gold-covered iron needles, as well as bone spoons used to blend paints. The pens were decorated with animals. It is impossible to say whether the body had tattoos as only bones remain but, elsewhere, waterlogged kurgans reveal tattooed bodies with depictions animals such as those found in this burial mound. Tattooing at this time is often linked with shamanism and many of the other tattooed bodies contain items used in a spiritual lifestyle.

Later tests on the body revealed that the body found is not a woman at all, but actually a man. Now the items on the grave take a total different meaning.

In the Greek literature, there is an account about Enaree (a Scythian shaman described as effeminate or androgynous).Transvestite shamans in Scythian culture lived in the guise of the opposite gender. There are some details about these androgynous figures, suggesting that they received serious damage to their manhood through riding and therefore live the rest of their lives as women. Such transformation clearly marked them out as shamans. Blurring gender and sexual boundaries for spiritual practice still occurs in the area and is also found in many other parts of the world, where many male shamans live as women.

This might explain the items placed with the body in the Samaritan burial mound. This person might have been a male shaman living as a woman, and providing spiritual guidance to the local community. He was buried with his beautiful clothes and jewellery, vanity items, and also the tools of his shamanic trade. Given the wealth of grave goods, he was clearly highly esteemed by his community both during his life but also after his death.

Spiritual journey during the British Paleolithic period.


In the narrow valley of the Nottinghamshire border, archaeologists went searching for engravings of the British Paleolithic era. In 2003, a team of archaeologists discovered an engraving in a cave near this zone. The Church Hole cave on the Nottinghamshire side of the valley was also the subject of an archaeological intervention.

This cave was north-facing and therefore got very little daylight penetrating the interior, and it was assumed that this meant there were no engravings. Moreover, directly opposite this cave, on the south-facing side of the valley, was another cave - named the "Robin Hood Cave" - where there was evidence of living during the Ice Age period. The arrangement of these two sites – which were inhabited at the same time, around 13,000 to 11,000 years-ago – may provide the key to explain how people related to their valley home.

At the "Robin Hood Cave", where people used to live, was in sunlight and the large chamber just inside the door provided space for people to cook, prepare hides, and gather socially. In contrast, Church Hole Cave was on the dark side of the valley, reached by crossing a river that flooded the valley bottom, and showed no sign of habitation. People engraved images but did not live there. This suggests the cave was reserved for ritual use, a place of darkness and possibly death.

It was accepted that during the Ice Age people had a shamanic worldview. A shamanic journey often involves crossing water (made while in trance). Another common element of a spiritual/shamanic journey is by entering a long and dark passage, moving along it till one reaches the light. People visiting Church Hole Cave from their base in Robin Hood Cave, would experience both elements of a shamanic journey , symbolically of course. When setting off, they would travel down to the river, which they would need to cross. Climbing up to Church Hole Cave, they would then enter a long, dark passage. While most of the rock engravings found by the archaeologists, were in the front of the cave, there were others further back, where the original artist would have been in total darkness. This cave tunel could have possibly represent the symbology of a shamanic journey to the otherworld, for the people that lived in the area during the Ice Age period.

The archaeologists suggested that the images at the back of the cave, were stylised women, adopting the late Palaeolithic shape for women as tall and slender but with large buttocks. The carvings on the same side of the cave as the stylised women, there are images of triangles which, using analogies with other Palaeolithic sites, may represent female pubic triangles. One even had a trace of another triangle within it, possibly relating to pregnancy. In fact, all the images on this side – the eastern side – of the cave featured images related to females.

At the western side the images were mostly of animals. These included an ibis, a stag, a bison, and a horse, along with other animal shapes. It may represent the animals as prey, but in the context it may represent the spirit animals found on the otherworld during a shamanic journey.

It seems that Church Hole Cave was divided between female images on the right side of the cave ( facing east as it is), and hunting prey - potentially a male realm, on the left side of the cave (facing west). Rituals may have been performed there, with each group using the cave at specific times or both groups visiting and interacting with each other. It is only towards the rear of the cave that the passage narrows and this is where the stylised female figures are located. This may be an inner sanctum visited by only a few, perhaps girls on reaching adulthood, initiating them into the mysteries of womanhood.

The Palaeolithic people who inhabited this place, had massive challenges with hostile weather and a lack of available game. Church Hole Cave may have been a response to this, initiating the young into the roles of adulthood. It might have also been to experience a shamanic journey in the real life, teaching future shamans and preparing them for what they may face in a spiritual journey.

World's oldest wooden statue


Scientists in Germany are ever closer to dating an ancient wooden statue which they say contains secret encrypted codes written around 9,500 years ago - possibly the oldest on the planet (so far). The Shigir Idol, as it was called, is twice as old as the Egyptian pyramids and was preserved as if in a "time capsule" in a peat bog on the western fringes of Siberia. Now Russian experts say the remarkable relic contains encoded information on the 'creation of the world' - a message to modern man from the Mesolithic Era, during the pré-historic time.

German scientists are now close to a precise dating - within five decades - of the remarkable artifact, which is a stunning example of ancient man's creativity. The results are likely to be known in late February or early March, 2015.

The idol, 'scraped' using a 'stone spoon' from larch timber, is around 4,000 to 5,000 years older than Britain's world famous Stonehenge monument. The idol stands 9.2ft (2.8 metres) in height but originally was 17.4ft (5.3 metres) tall, as high as a two storey house.

Almost 6.5ft (2 metres) of the artefact went missing during Russian's 20th century political turmoil, though Siberian archaeologists drew images of all the pieces. It is a unique sculpture, there is nothing else in the world like this. It is very alive, and very complicated at the same time.

The ornament is covered with nothing but encrypted information. People were passing on knowledge with the help of this Idol. While the messages remain an utter mystery to modern man, the Russian academics have said its creators lived in total harmony with the world, had advanced intellectual development, and a complicated spiritual world.

There is a representation of a straight line in this idol, which could denote land, or horizon - possibly the boundary between earth and sky, water and sky, or the borderline between the worlds. A wavy line or zigzag symbolised the watery element, snake, lizard, or determined a certain border. In addition, the zigzag signaled danger, like a pike. Cross, rhombus, square, circle depicted the fire or the sun, and so on. But the marks could have multiple meanings for the ancient statue-makers who gave the idol seven faces, only one of which is three-dimensional.

If these are images of spirits that inhabited the human world in ancient times, the vertical position of figures (one above the other) probably relate to their hierarchy according to the researchers. Images on the front and back planes of the Idol, possibly indicate that they belong to different worlds.

If there are depicted myths about the origin of humans and the world, the vertical arrangement of the images may reflect the sequence of events. Ornaments can be special signs which mark something as significant.

Female Shamans and Medicine Women


Shamanism has been a spiritual practice that accompanied Mankind throughout history, since pre-history. However, such practices ended in most countries, but there are still a few shamanic tribal societies that kept these traditions going. In some of these societies, there is a preference for the practitioners to be female. There are lots of evidence abiut this fact, including in archaeological findings in Czech Republic, indicating that the earliest Upper palaeolithic shamans were in fact women and not men. Descriptions of female shamans describe these women as invokers of spirits of the gods, earth and ancestors, as well as being healers, herbalists, oracles, ecstatic dancers, diviners, shape-shifters, priestesses and shamanic journeyers. Female shamans or shamankas, are  located among the Tungus people, the Buriats, Yakuts, Ostyaks, and among the Kamchadals.

In the steppers and central regions of Siberia, the female shaman(s) possess greater power than the male shamans, or so it is believed. In general, the feminine element plays a very important and prominent role in terms of magic, sorcery, at least it is so among the Yakuts. Female shamans are dominant in some cultures where they ate to the forefront of the cult practice. Whether in ancient China or Japan, or Korea, South Africa, Okinawa, the Philippines, from northern California to southern Chile, female shamanism  is a widespread tradition.

Archaeological findings show us that all over the world, the female shaman was very important in the old societies. Such findings go all the way from the mediterranean, to scandinavia, far into the east of Siberia and down the southern hemisphere. For instance, the Ekven burial of a female shaman was found at Chukotka on the Russian side of the Bering Strait. A 2000 years old grave of an elderly woman with a wooden mask at her knees as well as other ritualistic and shamanic artefacts. Recurrent artefacts and examples of female shamanic practice are amulets, medicine bags, mirrors, and head-dresses shown by excavated regalia, as well as drums. Examples can be seen in southern Chile where female shamans of the Mapuche Nation use drums called kultran. Korean female shaman drummers use mudangs. Drumming would be accompanied by chants and invocations as is shown by the Mexican Indian shamans. An other example, during the Mesolithic period, it was found an interment at Bad Durrenberg which occurred 8,500 years ago. It was a woman around 25 years of age accompanied by a child of some 6 to 12 months of age. The grave goods and artefacts comprised those assumed to have a ritualistic and shamanic function.

Evidence of the primordial origin of female shamans is shown by the excavated burials during the archaeological works all over the world. Such burials have been found dating from the 5th century before our common era. These include the Priestess of Ukok ( as well as remains from south Kazakhstan, and the basin from the Ukraine to the Tarim. Archaeologists have determined that these ancient female interments in central Asia were shamanic priestesses. The mummified remains of a female shaman was from the 5th century BCE, and a kurgan of the Pazyryk Culture of ancient Altai. A Mummy of the Ukok princess was discovered and excavated in 1993-1997, and she has been dubbed as the Siberian Ice Maiden. This woman is also variously known as the Princess of Ukok and the Altai Princess, or Ochy-bala after the Altai heroine.

The burial of a female Natufian shaman was discovered in a cave site at Hilazon Tachtit ,in Israel, was dated to circa 12,000 B the common era. The Natufians of the southern Levant of 15,000 to 11,500 BCE were a nomadic people who lived along the east Mediterranean. The excavated remains were those of a diminutive, disabled ‘shaman’ woman of advanced years, in a specially constructed grave. The interment represents the ritual burial of one of the oldest human spiritual figures. There are many interments that show rituals and techniques, indicated by shamanic burials with especially placed animal bones, and in same places tortoise shells as well, and some times feathers.

Among north Amerindians, medicine women are as common as medicine men, especially among the Dakotas and the Creeks, with both occurring among the Inuit. As it is with shamans, the medicine woman and their healing practices, are not restricted to members of the male gender.

In ancient Greek mythology, in the temples of Argos, the goddess Hygeia was the daughter of Aesculapius. The fact that the great Mother Goddess Hera, as Lucina, propitiated at or presided over childbirth, and that the original goddesses were probably real medicine women. In remote antiquity women were engaged in the practice of medicine. In central Australia, the medicine is ranked equal to the medicine man just as the female shaman is the equal of the male shaman. Shaman women as medicine women, propitiated the spirit world and practised the healing arts towards their own sex. Medicine women were thus equal to the medicine man. Not only in the way they became, but also in social status, their role and function, but in all other aspects.

As has been shown by both female shamans and medicine women in many times, climes and cultures, it's not infrequently the idea that the female shamans prevails to such an extent that the most powerful shamans are women. The antiquity of the shamanic role of women is illustrated by the evidence of surviving rock and cave art which can be interpreted in terms of shamanism, fertility ritual, and rites of passage. Rock art in southern Africa can be analysed from two approaches, one that incorporates women issues within a framework of shamanism, and secondly, one that treats it as outside the understanding shamanism. Depictions on cave walls can be interpreted in terms of the shamanistic nature of the puberty rites of girls. A distinction has to be made between the meaning of the terms ‘shamanic’ and ‘shamanistic’. The word ‘shamanic’ refers to the practices and experiences of shamans, whereas ‘shamanistic’ refers to general beliefs and practices. The analysis can be, and have been, extended to an interpretation of cave paintings claiming that the art was the work of women. A recent study produced results, indicating that prehistoric female artists also helped create the famous ‘spotted horses’ cave mural and various others. The hand prints on the mural were dated to 25,000 BCE.  Many of the hand prints were smaller than female hands as established by analysis of digital ratios.The evidence appears to show that a large number of Upper Palaeolithic cave artists were women  confirming that  the women’s role in prehistoric society was much greater than previously thought. It is most likely, considering the role of women in primordial society as shamans, that ancient art was mostly the work of women. Hand prints on cave walls were analysed and show us that there was a gender difference between relative lengths of fingers. Men and women’s finger lengths are different. Even though another theory claims the hand prints may be those of adolescent boys, but some 75% of cave art hands are female.

Examples of hand print art in caves have been found in southern France, in Australia, Argentina, Africa and Borneo. In northern Spain hand prints were believed to date back to 40,800 years old, where of 32 hand stencils, 24 were female. Hand stencils support the theory that, not only were women actively involved in cave art, but that they were in their role of shamans leaders in ritualistic, fertility and magical practices as well, and many of which were also linked to rites of passage for other members of the community.

The Viking Berserkers – Brave warriors or drug-addicted?


Nowadays we often use the word "Berserk" or "to go berserk" to label any person in a irrational state of mind, or a person who isn't able to control his/her actions because the rage is such, that the person enters a frenzy, lunatic state, a destructively person or frenetically violent. The word Berserker or Berserk, comes from the old Norse word "Berserkr", which means "a wild warrior or champion". These warriors wore hides of bears, which might explain the origin of the berserkr as a compound of "Bera" - Bear, and "Serkr" - shirt or coat. These were the fierce viking warriors who were known for battling in an incontrolable trance-like rage, and were alleged to be able to perform seemingly impossible super-human feats of strength, akin only to a wild beast.

In the medieval history and folklore, of both Norse and Germanic, the berserkers were described as members of an unruly warrior band/gang, whose main devine cult was the cult of Odin, the king of the Aesir tribe of gods. The berserkers were also commissioned to royal and noble courts as bodyguards and special elite troops, who would strike fear into all who encountered them.

It wasn't hard to struck fear into the hearts of the enemies, as the berserkers behaved like an animal, roaring, grunting and howling, entering in a state of uncontrollable rage. Most of them would leap towards the enemy, biting shields and gnawing upon the skin of their enemies. 

Dating back as far as the ninth century, the berserker Norse Warriors were said to be able to do things that normal humans could not. According to ancient legend, the berserkers were indestructible, and no weapon could break them from their trance.  They were described as being immune to fire and to the strike of a sword, continuing on their rampage despite injury.

Most anthropological and psychological studies indicate that the Berserkers simply worked themselves up into a self-induced hysteria before fighting, that was part of the cult to Odin, very violent. They would act like animals, abandoning their clothes and dress with animal pelts, an initiation process to leave behind the human condition and become an animal. Other researches indicate that the consumption of drugs or alcohol, or even mental illness, could be the key to understand their behaviour. Some botanists have claimed that berserker behaviour could have been caused by the ingestion of the plant known as bog myrtle, one of the main spices in Scandinavian alcoholic beverages.

Other more esoteric theories surround supernatural beliefs. For instance, some scholars have claimed that the Vikings believed in spirit possession and that berserkers were possessed by the animal spirits of wolves or bears. According to some theorists, berserkers learned to cultivate the ability to allow animal spirits to take over their body during a fight (an example of animal totemism) that also involved drinking the blood of the animal that they wished to be possessed by.
Speaking in a more esoteric term, there are some theories surrounded by supernatural beliefs.For instance, some scholars have claimed that the Vikings believed in spirit possession and that berserkers were possessed by the animal spirits of wolves or bears. According to some theorists, berserkers learned to cultivate the ability to allow animal spirits to take over their body during a fight, an ancient cult of animal totemism linked to shamanism, that also involved drinking the blood of the animal that they wished to be possessed by.

In 1015, Jarl Eiríkr Hákonarson of Norway outlawed berserkers. The Grágás, the medieval Icelandic law code, sentenced berserker warriors to outlawry. By the 12th century, organised berserker war-gangs had been completely disbanded.

Meteorite fragment found inside a 9.000-year-old hut


Archaeologists from the Institute of Archaeology and Ethnology (IAE) in Szczecin discovered a meteorite fragment inside the remains of a Neolithic hut dating back more than 9,000 years in Bolków, northwest Poland, according to a news report in Naukaw Polsce. Academics believe the object was recognised as being ‘not of this world’ and was used for shamanic purposes.

Archaeologists had been carrying out excavations on the banks of Swidwie Lake in the West Pomeranian region for several years before discovering an unusual rock last year measuring 8cm in height and 5.3cm in width. The fragment was cylindrical shaped, porous, and unusually heavy, but it was not until recently that it was identified as a meteorite fragment.

The meteorite was discovered among a large group of sacral objects, including an amulet, a so-called ‘magic staff’ fashioned from antlers and decorated with geometrical motifs, and an engraved bone spear. The meteorite was brought to the shelter as a special object, not of this world, which must have been obvious to the contemporary men, knowledgeable of stone raw materials. The thing became an object of belief, and maybe even shamanic magic.

The discovered fragment is surprisingly heavy. In addition, the side profile shape suggests various associations; the original finder millennia ago probably saw in it shapes of a mysterious world of spirits. Close to the remains of the Neolithic hut with the meteorite, archaeologists found a second, almost identical dwelling in a peat layer. The central part of the huts contained the preserved traces of a hearth.

Yakut - The recognition of a pagan creed


Contradicting the trend against the official recognition of unusual religions, the neo-pagan faith Aar Aiyy won formal recognition in the Siberian republic of Sakha. Practicers of the religion have been waiting for this moment for at least 18 years.

This creed was native to the original Turkic-speaking population of Sakha, also known as Yakutia, but was forced out as Orthodox Christianity spread during Russia's 17th century colonization of the region. Even so, the Yakuts have preserved the creed and are now free to practice it. 

The Russian Constitution guarantees the right to freedom of belief, but while creating a "religious group" requires no formal permit, the relevant legislation sets strict limitations on the rights of such groups to proselytize and to carry out daily operations.

Registering an "organization" requires a minimum waiting period of 15 years and comes replete with exhausting inspections, including by the Federal Security Service, KGB's successor. The registration of Aar Aiyy was finalized in late April 2014.

The religion — whose name translates roughly from Yakut as "belief in higher deities" — teaches that the Universe, consisting of three worlds, possesses a Creator aided by 12 celestial helpers and is populated by numerous spirits. The creed comprises elements of shamanism, animism and Tengrianism, a religion unique to Central Asian and Siberian nations, which was followed by Ghengis Khan's Mongols.

It was unable to provide an estimate of the number of Aar Aiyy practitioners among a population of 950,000, including 467,000 ethnic Yakuts. But it is said that the group never had any run-ins with the powerful Christian church and does not expect trouble as it plans to limit its missionary activity to   — as such, anyone can join.

Many Yakut Shamans died during the Soviet period, but neo-pagan beliefs remain strongly rooted in Yakut culture. In the 1990s, neo-pagans were actually an opposition force to be reckoned with in Yakutia's parliament, though they lost all of their mandates during the 2000s.

Nevertheless, Yakut neo-paganism retains popularity, and its institutionalization cannot be stopped. This is a native folk tradition, which always was and hopefully will always exist.

Witchcraft and Shamanism


When we hear about shamanism, we immediately think about the type of shamanism from Siberia, or the Americas, spirituality connected to tribal rituals and traditions. When speaking of European shamanism, we have no clue what it is, or at least the first thing that comes to mind, is the type of shamanism practiced in the northern countries of Europe. However, there is an tremendous body of evidence, in anthropological and historical literature, that the historical european.style witchcraft was in fact a form of shamanism practiced by the different cultures of Europe.

Lets make it clear first, the definition of “shaman” in use here is an anthropological one. As I have written before, "shaman" is a word that originates from the Tungus language of Siberia, and has been somewhat misapplied to the religious beliefs and practices of Native Americans (which are quite diverse, some are certainly shamanistic, others not so much). 
 The shaman, in this context, is a magical practitioner who works with the help of spirits, usually on behalf of or to the benefit of his or her community, by means of healing, divination, and such. 
Shamanic experiences all over the world share some general characteristics. In the form of a traumatic personal experience and/or a visitation by spirits, the formation of a strong bond between the shaman and one or more helping spirits, and a working relationship with those spirits, frequently characterized by ritual invocation and spirit flight or trance states to achieve specific goals.

The pre-christian practices of the European peoples, had these characteristics. All the way from the Iberian Peninsula, to the far East and up into the cold North, the peoples of Europe had their own ways to communicate with the spiritual world and the natural world, which in most of the cases (speaking in such spiritual practices) are two worlds strongly connected. With time and the constant invasions of different cultures in each country, these European practices have been lost. However, during the medieval ages, these practices were very much alive and we can find it in most books that talk about the medieval times. People during that time still practiced the spiritual ways of their ancestors, it lived on in the most rural parts of each country, and it was often thought that this happened, because the people in the rural areas hadn't much access to what was going on in the city, and because these people were less educated, they continue to practice the old ways. None of this is true. In spite of each country have had a lot of invasions and the cultures changed, because people had been killed in masses, and temples have been destroyed and such, each invador kept alive the inhabitants that worked the fields and took care of the animals, because they needed people to work for them, people who already knew how to deal with the land, turning them into slaves for new masters. Those people kept the old ways and so they were passed on from generation to generation. During the medieval ages, these spiritual practices were still being held, but the christian faith was spreading fast, and people were accused of witchcraft and most people were killed. The last places to have these practices until the late medieval ages, were the peoples from the East and the northernmost parts of Scandinavia, because it was hard to get there, hard to spread the christian faith into those places.

Because of the mass executions held during the medieval times, most of the information we have about this subject, comes from trial records and interrogations. The accused were subject to torture, it can be hard to sift truth from confabulation. 
Several point out that the folkloric material was not what the interrogators were interested in, and in fact was considered a distraction, subjects of interrogation would be pressed to describe a formulaic encounter with the Devil wherein they traded magical power for their immortal souls. Instead, accused witches often described encounters with fairies and the dead. This is consistent with what we know about fairy beliefs, that Elphame or the realm of the Fair Folk was also the realm of the dead. External evidence for the folkloric material, including beliefs about fairies and specific beliefs to do with spirit flight, doubles, and familiars, combined with the fact that interrogators actively discouraged it, lend a degree of confidence to the picture they paint of what medieval witches were up to.

Witches during these times, worked alone, or in groups (but most of the time, alone). They often had named spirit helpers who appeared to them frequently, these spirits might be in the form of a cat, rat, toad, bird, a human being, or a non-natural creature. They also encountered other figures, including the King and Queen of Elphame, who sometimes presided over gatherings and sometimes helped them directly. They described leaving their homes and flying or going forth in the forms of animals, generally a cat or hare, which is also frequently mentioned in shamanic practices. Their interactions with spirits, flying, and other seemingly fantastic or impossible activities are described as straightforward experiences. They also performed numerous acts of witchcraft, ranging from healing or other beneficial spells without distinction between what we would now consider herbal medicine and what we would think of as “magic.” This is consistent with books of “home physic” from that time period and later, which often include both an herbal concoction and an incantation in a single cure.

This is absolutely similar with the way that shamans from other cultures describe their experiences as well, but is so far from current Western ideas as to be feared as pathological. Another thing to take into consideration is that becoming a witch fully is something that you can neither inherit nor study nor buy, but only receive as the gift of an ongoing relationship with the spiritual world from other beings, such as it happens with shamans. One does not simple becomes a shaman just because he/she wants it, a person becomes a shaman because it was chosen by beings, spirits, gods and so on, something out of the person's control. That has profound implications for how a witch seeking to be traditional will approach such things as training, teaching, and joining an initiatory lineage.

Shaman gathering in Tuva


The gathering of the most powerful shamans from different parts of the globe, have arrived in the Republic of Tuva in southern Siberia, near the border with Mongolia. Shamans from Sweden, Greenland, Mexico, Mongolia, South Korea, Kazakhstan and Kyrgyzstan, gathering at the festival devoted to the shamanic culture.

Asite from participants all over the world, this festival attracted shamans from four different corners of the regions of Russia. Altai, Khakassia, Yakutia and Tuva. All sorts of shamanic practices can been seen in this great event, such as drum rites, rituals, throat singing and meditation. The organizers also promise to hold interesting seminars and master classes on the spiritual practices of shamans and divination. Typical healing dances will also be taught to whoever wants to learn. The global goal of the festival is the revival of the shamanic traditions.

The festival is called "Call of 13 Shamans" and the idea came from its originator, the khoomei throat singing master Nikolay Oorzhak, a hereditary Tuvan shaman from the Black Heaven clan. 

The festival is taking place for the first time and so far without any sponsor support.

The honorary guest of the festival, the Mexican shaman Don Rogelio Carrillo, said that it was the similarity in the traditions of his people and those of Tuvans that drew him to the distant Siberian region.

Going under the cloak


There are many processes that lead to spiritual work or just relaxation of the mind. This one is such a process, and I would like to share it with you, for it is very simple, but requires a lot of mind control. It is easier if you already know the basic steps of meditation.

As the title suggests, this is literally going under the cloak or a blanket, basically any piece of cloth that you can use to cover you whole. This process of relaxation can be done in short periods of time or long ones, depending on how further you want your mind to go, to delve into a different state of mind.
Do this exercise, get yourself a blanket, lie underneath it and you may or may not use an heavy object such as a rock, to help you in the process of freeing your mind. I'm speaking of rocks because the Druids used to do such things, placing a rock on the chest in order to depress the breathing to alter the state of mind. The heavy object can't be too heavy, or it will end up hurting you, o you will be very uncomfortable, but nether can it be too soft, or you will end up sleeping.

Pay attention, this process must not be performed by people inexperienced, even those used to alter their state of mind with such processes, must be accompanied by a crew able to monitor the pulse and breathing of the person.

The objective of being under a cloak, is to experience a different type of being all by yourself, as if in a cocoon or the "return" to the womb. Peaceful and quiet. Even if you choose to be by yourself in a room, with windows closed, in total darkness, there is always light in the room, light always finds a way to get in, so if you do this process, but under a cloak, you will experience a new kind of darkness, after a while, you will not even realize where you are.

Sauna - The House Of The Ancestors


The Sauna is a very old spiritual tradition, especially for the European peoples. Throughout history we find that the Northern European cultures have an important connection with the sauna. Archaeology in northern Portugal and Spain also found that the Celts and the Lusitanians used to have buildings similar to their houses only for the purpose of cleansing the body through heat and vapours. Nowadays it isn't hard to get into a sauna, but unfortunatelly modern saunas are very different from the old saunas that were used for religious purposes.

The first purpose of the sauna is to honor the powers of the elements, fire, water and stone (earth) and how the spirits of such elements together make "magic", creating steam, thought to be the very breath of the earth and the ancestors. Without these elements, the spirits will not come to you.

For religious purposes, the sauna must have a good source of heat from wood with real flame (nowadays modern saunas have the source of heat through an electric sistem). Also, there is the need of adding stones, most modern saunas have them, as long as there is wood and real flame, it is fine. Now, something very important that isn't taken to account by the people who build modern saunas. Ventilation. Many modern saunas make people sick because the oxygen levels fall too low. Any type of opening will do, the fire needs oxygen to "breath". The best way is having an adjustable vent near the floor, to vent the cooling sinking air, and another higher up to vent the excess heat that follows later.
Also, like I've written, having stones, to throw water on them. Don't pick up river stones, usualy blow apart during temperature changes. You will also need water of course. Our ancestors used to collect the rainwater for these purpose, coming from the sky, it was a direct blessing from the deities. The type of wood used to come from the birch trees, I believe that I have already written about the birch tree in another post, those were consider to be very magical in many cultures, especially the ones ruled by a druidic order.

Do whatever you want in the sauna, but know that the real purpose of it, wasn't to party, so if you really want to do any type of spiritual work, you must behave of course. Being in a sauna, one must be quiet, meditative, peaceful, solemn. This is an opportunity to be in touch with the spirits of the elements, a rebirth ritual, so our ancestors used to go into the sauna, completly naked, the way they came into the world, deprived of any clothing.

Of course people may feel shy for being naked in a community sauna, that is understandable, but modern community saunas don't have the ancestral spiritual purposes. Community saunas used to be mixed gender, however, some rituals during the year only for men or for women, were held inside the sauna (at least part of the rituals) so in that case, the sauna was occupied by only one gender.

The first saunas were made out of stone, but during the later 5th - 6th centuries, these were being built our of timber. The hearth was considered to be the altar of the sauna (the sauna being the temple/house of the ancestors).
The door to a traditional sauna used to be shorter than a an average door, people had to stoop to get into it, showing reverence for the ancestors.

The very first saunas were smoke saunas, the Finns refer to them as savusauna. The fire was lit under stones, and the smoke went out through a hole in the wall or ceiling. The smoke heated the entire room and then the hole was shut and the window opened to let in fresh air come in. There are different claims on the health risks of these smoke saunas, or savusauna. Some say that the smoke is bad for your lungs, others that the smoke creates a bacteria-free and oxygen-rich environment. Don't try these in any circumstances if you are new at this or alone, these might be better in community and with someone outside the door.

The traditional ways of making fire for the sauna, would take long (compared to modern ways of course, it wasn't that long) but it would take longer to get the sauna ready for the spiritual purpose, so people used to sit outside and play the shamanic instruments to call upon a spirit to enter the sauna. In some cases, people would also wait for a family member to die in or near the sauna, so they would be able to call upon them during the sauna rituals.

Our ancestors would call upon guardian spirits to protect them. There was/is one very popular in Finland, named Saunatonttu, a little gnome or sort of faery. It was customary to warm up the sauna just for the gnome every now and then, or to leave some food outside for him. It is said that he warned the people if a fire was threatening the sauna, or punished people who behaved improperly while inside it. The Saunatonttu doesn't seem to be an Alfar (Elf) but more like a being that belongs to the "little people" race. In Russia there was the Bannik or banyanka, also a spirit that protected people from evil spirits. Our ancestors would take refuge in the bath houses and saunas to pray to these spirits for protection.

The purpose of the sauna was to honor the ancestors, to call upon the spirits for protection and to be connected with them and the elements of nature, creating the very breath of the earth, ancestors and gods. Through this "breath" one would cleanse the body and soul.

Working With The Gods : Tyr


Tyr is a god easy to spot, his right hand is missing, but it isn't only for that fact that you will recognize him. He wears a warrior presence, a stern but kind look and a great sword hangs on his right side by the waist. Usually he will be dressed with the dark tones of the colors of war, grey and red. Usually he also wears a cloak to cover his right arm.

He is a deity that prefers to work with male spirit-workers. This is a deity very difficult o work with, if you call upon him be certain that you know exactly what you want, because if he appears, he will be there only for a short time and then vanishes. He is a deity that goes directly to the matter, leaves you with some words of wisdom and then he is gone, it is up to you to know what to do with those words, your choice.

Usually the group of spirit-workers that gather with him, make a semi-circle in front of him, all must wear a weapon of their choice and Tyr will be there, speaking like a warchief speaks to an army. 

The Handmaidens


When talking about Norse mythology we often heard the word "Handmaidens" refering to a female being which helps a particular deity. There are many Norse deities, male and female, who have their own Handmaidens, like Odin's Valkyries, however, there is a huge list of Handmaidens helping and working with Frigga and Freyja and so on. Little is known about the Handmaidens, not even those listed in the lore and the ones people work with through spiritual work.

It is clear that these Handmaidens prefer to work with female spiritual workers, so there is the need to have at hand female objects such as dresses, jewelry, precious stones, rings, bracelets, necklaces and such. Also if you can get any handiwork object, especially if done by yourself, the better. One of the Handmaidens we know about and how she behaves during spiritual work is Fulla. She prefers female, young and unmarried spiritual workers. The spiritual worker will probably be joining an already existing female group of other women working with Fulla.

Another Handmaiden is Eir, unlike Fulla, she is very patient and comprehensible, better to work with when dealing with spiritual problems, psycological problems and so on. She is also very simple, so this is one of the handmaidens which wearing rings and bracelets isn't required, because she is also good to work with for those who do healing spiritual works. For those who work with medicinal herbs, Eir is the one to turn to for that kind of work. She hasn't any preferences in gender, any one can work with her.

There are other Handmaidens, I have mention a lot of them in previous posts, but when it comes to spiritual work, little is known about them. For instance, people also do spiritual work with Var and Hlin, but only few things are known about these two. Or even Vor, which is more turned to spiritual workers who are into divinatory types of work. Some Handmaidens will give you a lot of knowledge, others are better to deliver a message to a specific deity.

World's oldest Marijuana stash


By the title you may find it an unusual theme to be written about by my part, but I assure you that it is totally in a historical and archaeological point of view.

Science today doesn't stop to amaze us, especially when it comes to the study of ancient civilisations and we get to know better the ways of our ancestors, which doen't stop to surprise us also. 
Almost two pounds of a plant material was found in a 2,700-year-old grave in the Gobi Desert, this material was still green and it has just been identified as the world's oldest marijuana stash. The tests that have been made to this ancient marijuana shows that it possessed potent psychoactive properties. It was thought that the ancient civilisations only grew the plant for hemp in order to make clothing, rope and other objects, but this finding shows it differently. It appears that these people were using the plant as a drug. Well.. there isn't anything new about this, what is new is that they had a lot of  plantations for the purpose, they didn't just go into the wilds and pick them up, or went to places where the plant was abundant, they already had personal gardens of it.

The excavations took place in the Yanghai Tombs near Turpan, China. The drug was found lightly pounded in a wooden bowl in a leather basket near the head of a blue-eyed Caucasian man who died when he was about 45. This person was buried with a lot of unusual and rare items of great value. Among these items there was a make-up bag, some bridles, pots, archery equipment and a kongou harp. It is believed that this individual was a shaman from the Gushi people, who spoke a language called Tocharian that was similar to Celtic, unfortunately now extinct. The test results of the plant found in the bowl revealed that it was cannabis.

The seeds mixed in with the leaves, along with their color and other characteristics, indicate the marijuana came from a cultivated strain. Before the burial began, someone had carefully picked out all of the male plant parts, ( which are less psychoactive ). Researchers don't yet know how this drug was administered because among the findings there wasn't any pipe nor any other kind of tool associated with the process of smoking. It might have been fumigated or orally ingested.

Apparently this plant was not only used to make clothes and other goods, as there is evidence that the Gushi people did their own clothes out of wool and made ropes out of reed fibers. Probably the marijuana was grown for medicinal and spiritual purposes, maybe that was its greater function.