Wight of the Nine Worlds

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I welcome thee free spirit, which thou shalt come with an open heart, open mind and an open soul, for what you are about to read can only be understood by the wise who are eager to learn and to embrace the roots deep and forgotten in the hearts of the free people of Europe, by accepting who you are and where your roots lie, is half way into the great road of life. We will journey unto where our spirit takes us with the knowledge we gained. Learn and teach.
Showing posts with label Oseberg. Show all posts
Showing posts with label Oseberg. Show all posts

The Oseberg Buddha


I have already written a post about the Oseberg ship and its finding during the early 90's of the XX century (1904) in a burial mound near Oseberg farm, in the Vestfold county in Norway.  One of the most well preserved findings of the Viking Age, unfortunately looted during the early Middle Ages, but even so what remained there was a really exciting and princeless findings for the archaeological studies.
Apart from the two female skeletons found there, which was the main subject of my previous writing about the Oseberg ship on another post, there were other burial goods, all the precious metals have been taken by the thieves, but what seemed to them to be worthless, is indeed a marvelous treasure the understand the lifes of these people during the Viking Ages. One of the most interesting Oseberg discoveries is the so called Buddha-bøtte or Buddha bucket.  It is a pail with two identical figures forming the joints of the pail handle. Both figures represent a man seated in the Lotus position. The head is flat and his face with the eyes closed has a very peaceful expression. The man’s breast is ornamented with red and yellow in the technique of champlevé enamel used in the decorative arts, as well as panels in the glass work technique of millefiori. Four swastikas on the enamel decoration have the common shape of those in the Buddhist tradition, in which this symbol represents auspiciousness and good fortune, which is indeed an universal symbol that dates from prehistoric times, very common in shamanic comunities and the Norse peoples also used it. But this artifact shows that the Vikings could in fact have met Buddhist missionaries during their expeditions.  It is also interesting to know about the Sixth-century Buddha statuette from northern India that was found on the island of Helgö, in Sweden, something that I have also written about and you can take a look at the lable of "Archaeology" which shows indeed the contact that the Nordic people had with other cultures, so far from their homeland, the trading routes that have been settled during this time, theexchange of culture, ideas, religion and the trade communities of other countries that have settled in the Norse lands and apparently they all got along pretty well, according to the archeolofical findings of Helgö. However, the Oseberg Buddha is different, it does not seem to have been imported from Asia. Researchers point to either Ireland or England as the possible places of origin. Hexham bucket decoration represents a flat human head with the same type of broad face and the same stress on the eyes. Among other parallels, the hanging bowl found at Löland, Norway, and the one found in the Maas, Holland, are similar examples. Both have human shaped handles with red and yellow enamel decoration. Perhaps the most striking parralel to Oseberg Buddha are the anthropomorphic escutcheons on the Myklebostad hanging bowl, which have similar elaborate champlevé in red, yellow and green, with panels of millefiori. However, the man is not seated, but standing.
Suffice to say that the identity of the man here represented remains a mystery. It could be Buddha himself, or a different type of foreign art that the Norse adopted and created the image of one of their leaders in this shape, or probably the representation of one of their gods? We might never know, but it is interesting to see how far people went and the many cutural diversity already existing in Europe in these ages.



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The Oseberg Longboat


The lovers of Archaeology and of Northern European History, surely have heard about the Oseberg Longboat found by the norwegian archaeologists at Oseberg south of Oslo. The great archaeological treasure is a real master piece of northern european design, culture and art, beautifully carved with images of animals, skillful knotworks, entirely made of oak. Inside the Longboat, there were two dead bodies of women, there were also dogs, horses and an ox. A four wheeled cart was at the far end of the Longboat, the first viking cart to be discovered and there were also four sledges there, also beautifully carved. But what makes this finding so spectacular is the possible identity of the two women. Both of these women were considered elderly for the time, on was 70 and the other 50 more or less between these ages, analysis showed that their diet was very rich, meaning that these women were of an higher status in their viking society. At first archaeologists thought that these two women, buried in a burial mound far from the sea, they could be the wives of local farmers, but a treasure like this one, these couldn't be mere farmer's wives, with the help of the knowledge about traditional burial rituals and spiritual paths of the northern european peoples and with the finding of a small leather purse, these women would reveal their secrets. The small leather purse contained cannabis seeds, which induce trance when burnt, and there was also a rattle, a musical instrument also very much used for the same purpose. There were also tapestries with the women, which may have illustrated the shamanic rituals held in these times.
In the Norse society, shamanism or seiðr was the work of women, as i have written in an other post about the northern magic workers The practitioners of seiðr, known as seiðkona or völva, entered in trance using drugs, chanting or rythmic sounds with musical instruments. In the case of the Oseberg women, the cannabis seeds and the rattle may have helped them entering in trance.

The images carved or painted in stone in prehistoric times and even in more recent historical times and in folklore show us that in many cases the boat was the vessel which helped shamans reaching the other world in their shamanic journeys and helped the dead to reach the afterlife, we see this many times in Norse burial rituals when the dead were placed in a long boat with many gifts and then it was burnt, or burial mounds in a shape of a boat made out of stones. To the far north, there are thousands of images of shamans beating their drums while sailing in ships into the otherworld.

In the case of the Oseberg women, they were clearly practitioners of seiðr - Norse Shamanism - and the Longboat was obviously designed to stay on land and not with the purpose of sailing, at least not sailing in this world.

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